RECREATING REMBRANDT'S WORKSHOP
Traditional Methods Of Painting Workshop
Joshua Fallik
602-363-7350 (24 hour voice mail)
FallikStudio@aol.com
PIGMENTS IN ORDER OF THEIR PLACEMENT (on the pallet)
1. Naples Yellow Light
2. Yellow Ochre Light
3. Venetian Red
4. Cadmium Yellow Deep
5. Cadmium Yellow Light
6. Cadmium Red Light
7. Alizarin Crimson OR Rose Madder (Windsor & Newton)
8. Ultramarine Blue Deep
9. (Optional: Cobalt Blue)
10. (Optional: Manganese Blue)
11. Burnt Umber
12. Raw Umber (Windsor & Newton)
13. Ivory Black
14. Cremnitz White or flake White
MEDIUM (only ONE)
1. MAROGER (available for purchase at the school or order by mail:
Joshua Fallik
Studio /PO Box 211247 /Denver CO. 80221 Tel.: 602 -
363-7350) fallikstudio@aol.com) OR:
2. Black Oil (available for purchase at the school or order: Joshua
Fallik Studio) OR
3. 1/3 Damar Varnish, 1/3 Stand Oil, 1/3 100% pure spirits gum Turpentine
(mix together) OR:
4. Cold Pressed Linseed Oil Medium (medium drying time) or:
5. Copal Medium
CANVAS or Panels
2-3 primed and toned canvas (Recommended: Linen, fine weaves Double
primed);
various sizes: 9" x 12", 16"x20" (or 18"x24")
Optional:
Gessoed Masonite. Various sizes.
Inner Glow Painting Panels (1-877-430-3639)
Clay panels.
Tone the Canvas with Ultra. M. Blue mix with Burnt Umber and your
painting Medium. Light ton to medium value. Use a paper towel or lint free
rugs. (this will be demonstrated in class as well).
Suggestions:
For a smoother surface, add a thin coat of your lead white to the canvas or
panel.
(Use a pallet knife, wipe access with a rug) Allow 2-3 weeks to dry, sand
canvas, then tone.
BRUSHES
Filberts, Bristle # 3, 5, 7, and up.
The best brushes have interlocked, chunking bristles. Use one of the
following Companies (in order of preference):
Silver Grand Prix 1003 filbert
Isabey 6098 Filbert, or 6088 filbert
Pearl Paint #1200 Filbert
Strathmore
Superior.
Grumbacher Degas series # 4229
PALLET
Plexiglas Wood or Glass pallet.
For Plexiglas or Glass: use gray cardboard or any other tone backing.
White Pallets are not Recommended, they are difficult for judging
values when mixing.
Optional: Paper wax Pallets for mixing your medium with your pigments
Prior to the painting session.
OTHER
1/ 2" Hake brush for varnishing. (optional)
Pallet Knife
Paper towels or painting rugs
Small hand held minor (optional)
Simple calipers (optional)
Ivory soap or brash cleaning soap.
DRAWING MATERIALS
drawing book, 4" x 6" (optional)
Sketch pad 9 "x 12" (optional))
18" x 24" newsprint
smooth
18"x24" drawing pad
(optional)
18" x 24" drawing board
18"x24" pad or 3 to 5 individual sheets of Strathmore 500 series
charcoal 60-128 (tan) 25"x19"
2 to 6 pencils: Conte' sanguine of Paris pencil # 610 (one white and one
black, rest are sanguine). or conte' sanguine chalk
4 clips
A kneaded rubber eraser
A utility knife or blades, and sand paper (#200) for sharpening
OPTIONAL: 0.5 mm mechanical pencil with AB sanguine leads